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		<title>50 Cent Show Worth Far More</title>
		<link>http://www.music2titan.com/50-cent-show-worth-far-more/entertainment/2009/10/</link>
		<comments>http://www.music2titan.com/50-cent-show-worth-far-more/entertainment/2009/10/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 22:56:40 +0000</pubDate>
		<dc:creator>Remember The Titans</dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[Monmouth County Fraud Lawyer]]></category>
		<category><![CDATA[new movie download]]></category>
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		<description><![CDATA[cited: New York Times
50 Cent’s Saturday concert looked like a détente between schools and generations of hip-hop. The This Is 50 Festival, on Governors Island&#8217;s Water Taxi Beach, began with insightful, still-sweet rappers Kid Cudi and Wale. 50 Cent, one of the last of the big-time gangsta rappers, who had multimillion-selling albums in 2003 and 2005 before [...]]]></description>
			<content:encoded><![CDATA[<p><strong>cited: New York Times</strong></p>
<p><a title="More articles about 50 Cent." href="http://topics.nytimes.com/top/reference/timestopics/people/0-9/50_cent/index.html?inline=nyt-per">50 Cent</a>’s Saturday concert looked like a détente between schools and generations of hip-hop. The This Is 50 Festival, on Governors Island&#8217;s Water Taxi Beach, began with insightful, still-sweet rappers Kid Cudi and Wale. 50 Cent, one of the last of the big-time gangsta rappers, who had multimillion-selling albums in 2003 and 2005 before gangsta lost momentum, also performed.</p>
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<div><a href="//www.nytimes.com/imagepages/2009/10/05/arts/05cent1.ready.html', '05cent1_ready', 'width=720,height=600,scrollbars=yes,toolbars=no,resizable=yes')"><img class="alignleft" style="border: 0pt none;" src="http://graphics8.nytimes.com/images/2009/10/05/arts/Cent1190.jpg" border="0" alt="" width="190" height="218" /></a></div>
<div><a href="//www.nytimes.com/imagepages/2009/10/05/arts/05cent2.ready.html', '05cent2_ready', 'width=720,height=600,scrollbars=yes,toolbars=no,resizable=yes')"> </a>But that was a fake-out. After amiably received sets by the newcomers, 50 Cent took over with a two-and-a-half-hour gangsta extravaganza. The set was crammed with guest slots — friends, allies, disciples — and insisted gangsta was still alive, rough and ready to compete.</div>
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<p>The songs were about danger and outlaw excess — guns, drugs and sex — with crude, shout-along hooks. The neat backup tracks of the openers gave way to thudding, cranked-up bass lines and distortion, punctuated by the sounds of gunshots and breaking glass from the D.J., Whoo Kid. As at old-school New York rap shows, the stage was filled with onlookers; rappers demanded, “Put your hands up!” — as a dance move, not a holdup. And the sold-out crowd exploded. This was the bad-guy party they came for.</p>
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<p>With his baby face, his boyish grin, his genuine gunshot wounds and the singsong choruses of his hits, Curtis Jackson, a k a 50 Cent, established himself as a gangsta rapper who could also be a charmer: gruff and belligerent, but also amused. His next album, “Before I Self Destruct,” has been delayed repeatedly, and his recent mixtape, “Forever King,” presents a paranoid, embittered character, but he was smiling broadly onstage. He was as much host as star: performing a song or two, mostly from his first albums, and then announcing a surprise and bringing on another guest.</p>
<p>They included not only his own G Unit (with Tony Yayo and Lloyd Banks), but also D-Block (formerly the Lox), <a title="More articles about Wyclef Jean." href="http://topics.nytimes.com/top/reference/timestopics/people/j/wyclef_jean/index.html?inline=nyt-per">Wyclef Jean</a>, Maino and Red Cafe. Between songs about lust and crime were celebrations of upward mobility despite the odds, like “We Gonna Make It” by Jadakiss of D-Block and Maino’s triumphant “All the Above.” But less righteous boasts, like 50 Cent’s “What Up Gangsta” and “P.I.M.P.,” drew even stronger reactions.</p>
<p>There were more guests before 50 Cent made his entrance: Jim Jones and Juelz Santana, along with Al Be Back, Uncle Murda, Cory Gunz, Papoose and the four-rapper group Slaughterhouse. Mr. Gunz showed off a virtuosic delivery, accelerating and decelerating. Papoose started rapping his way through the alphabet, with long strings of words all starting with the same letter; he got to G before his time ran out.</p>
<p><a href="//www.nytimes.com/imagepages/2009/10/05/arts/05cent2.ready.html', '05cent2_ready', 'width=720,height=600,scrollbars=yes,toolbars=no,resizable=yes')"><img class="alignright" style="border: 0pt none;" src="http://graphics8.nytimes.com/images/2009/10/05/arts/Cent2190.jpg" border="0" alt="" width="190" height="202" /></a><a href="//www.nytimes.com/imagepages/2009/10/05/arts/05cent2.ready.html', '05cent2_ready', 'width=720,height=600,scrollbars=yes,toolbars=no,resizable=yes')"> </a>The openers made every effort. Kid Cudi, although he appears on the new album by <a title="More articles about Jay-Z" href="http://topics.nytimes.com/top/reference/timestopics/people/j/jayz/index.html?inline=nyt-per">Jay-Z</a>, is an oddball in hip-hop. He’s somewhere between rapper and singer, intoning his rhymes on a few notes, and instead of boasting, he presents himself as an introvert, confessing to his vulnerabilities and uncertainties, imagining himself as a visitor from another planet. It’s a persona better suited to headphones than to an outdoor concert. Wale, a Washington, D.C., rapper who thinks hard about the state of hip-hop when he’s not bragging about being “the brightest of the youth,” was more vigorous and endearing.</p>
<p>This concert&#8217;s right was no match for the huge number of stories of wrongs, even those years old. Only time will tell if this is the marking of a new era in rap, or a new movement towards hip-hop nostalgia.</p>
<p style="text-align: center;">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p><strong>My Take: </strong>The first time I heard a radio station that promised to play the &#8220;best of the 80&#8217;s, 90&#8217;s, and today&#8221;, my father- who was also in the car- turned down the volume and said, &#8216;it&#8217;s official: you have nostalgia music&#8217;.</p>
<p>As bizarre as it is to think of &#8220;P.I.M.P.&#8221; as indicative of a specific time and place now gone, the good news is, we&#8217;ll probably have something to gab about as we sit in our rocking chairs on our front porch. Wait, I meant front stoop.</p>
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<p class="MsoNormal"><span style="font-size: 14pt;"><strong>Other Resources</strong></span></p>
<p><strong>Classics in music, Latest in movies</strong></p>
<p>Not to knock classic movies, but sometimes you have to see the latest blockbuster. I should say: 9 times out of 10, you have to see the latest blockbuster. If you can&#8217;t pay the $12.50 for a movie ticket (who can?), you can still enjoy the flicks with <a href="http://www.downloadmovie.me">new movie downloads</a>.  Cheaper, easier- once your begin, you&#8217;ll <a href="http://www.downloadmovie.me">download movies</a> over the theater every time.</p>
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<p><strong>A Fishing Question</strong></p>
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